FRONTLINE presents a post-election special on the lives, fears and hopes of Americans in the chaotic months leading up to the historic presidential contest. We invite you to contact FilmLA’s Solution Services team with questions. Some $4 million of the donation will be split equally between The Actors Fund, which supports behind-the-scenes workers as well as performers, and the Motion Picture & Television Fund (MPTF), which has offered essential relief to those in need since 1921. FRONTLINE has been chronicling the coronavirus pandemic for much of 2020. Clay Epstein, President, Film Mode Entertainment. Who can I contact for further questions in the County? Japanese films have been recently known for their unique Animations and supernatural Horror films. Production eventually resumed in … Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation. Current orders impose requirements on film productions regarding workplace social distancing, use of personal protective equipment (PPE), hours of filming activity, regular sanitation and employee testing. Applications have now closed. Celine Rattray, Partner & Producer, Maven Pictures Variety Intelligence Platform chief media analyst Andrew Wallenstein offers a broad outlook on the trends reshaping the entertainment business, from the streaming wars to the impact the pandemic is having across the sector. What Types of Film and TV Content Perform Best on SVOD? Panelists Members can apply for short-term, interest-free loans, EIF has partnered with Music for Relief to provide funds. Jordan Yale Levine, Producer, Yale Productions, Moderator The Government has announced a new UK-wide £500 million Film and TV Production Restart Scheme to help domestic film and TV productions which are struggling to get coronavirus related insurance which they need in order to get back up and running. Audrey Delaney, SVP, Distribution & Worldwide Marketing, Blue Fox Entertainment Other priorities of the fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post shut down. The resources provided on this site are geared to provide productions the information they need to return to work safely. All rights reserved. Presenter Cultural Competency in Storytelling, Standing Out in the Streaming Game; What Platforms and Audiences Want, Managing Financial Risk from Script to Screen. Sophia Yen, Partner, Manatt, Phelps & Phillips, LLP In a country with population of over 200 million, and with very limited screens, the local box office relies heavily on blockbuster local content which before the pandemic closed gaps with Hollywood movies. Offered major donation to support film industry workers. Panelists Read more about the training to return to work. A total of £21.9m of National Lottery is available this financial year, through the production, development and talent development funds. Jan A.P. We reserve the right to not post comments that are more than 400 words. To help cover these unexpected additional costs, the fund aims to ensure producers are in position to restart when it is safe and practical to do so. It provides advice on steps to be taken by cinemas to ensure the continuing welfare of both audiences and staff during the current COVID-19 outbreak. Dan Mazer, writer of Borat and Director of I Give it a Year and Home Alone (reboot) join Director and Host Giles Alderson and Producer/Financier Ian Sharp to talk how to make movies, from indies to studio features, working on set and the writer/director/producer relationship. Jeremy Kay, Americas Editor, Screen International. How Do I Make the Most Out of My Free Cinando Account? Since maintaining crew safety is the number one concern, we will dive deep into understanding the logistics that come along with it, and how they’ve been shaped practically as production is underway. Filming began in Canada in February this year and moved to England in March, before the coronavirus outbreak meant that production was put on hiatus. Speaking at a press conference in March, Trump was characteristically self-congratulatory, lavishing praise on himself for the “fantastic” job he’d supposedly done. As part of this work we are leading an industry-wide BFI Screen Sector Task Force, a cross-industry group, representing the breadth of the screen sector – from production to distribution, international sales, exhibition, skills development and bodies representing television, animation, VFX and skills – tasked with the recovery plan for the sector on behalf of the UK Government. In this class he will provide you the blueprint on how to give yourself the best chance at success in the current environment. Industry decision makers discuss what makes a film investment-worthy and the keys to huge revenue potential. In order to help the sector in returning to work as quickly and safely as possible, the Task Force has developed sector specific codes of practice for both film and high-end TV drama production, and for workers and customers in cinemas and exhibition venues. Janaé Désiré, Media Finance Executive, Creative Artists Agency A tool for people with job security to help people whose work status has been impacted by COVID-19. During this unique workshop, we highlight new voices and untold stories through a variety of pitch sessions followed by expert industry feedback. To date, Netflix has also announced $1M additional relief funding for film & TV production in the UK, India and France. Amy Baker, Co-Founder & Managing Partner, Winston Baker, Selected Pitchers Mark Vennis; vox, guitar Agnieszka Smoczyńska, Director Krzysztof Sołek, Producer, Moderator Brian Gee: Vox & Drums Presenters The time-limited fund is now closed. In addition, more information on specific areas can be found below. Jason Kelley, General Manager, IBM Blockchain Services, Moderator Lily Sheroziya, Chief Marketing Officer, TV3 Discover which projects are most likely to sell globally before they are made. Explore these films from FRONTLINE’s online collection of streaming documentaries to understand how we reached this point, how COVID spread across the country and world, and how the pandemic has impacted communities in America that were already vulnerable. The checklist is attached to every film permit released by FilmLA. The answer to that is what Colin Levy and Ryan Connolly have been chasing their entire careers. The guidance for cinemas and drive-in venues can be found here. This July documentary follows some of the coronavirus pandemic’s invisible victims, including crucial farm and meat-packing workers, many of them undocumented immigrants, who lack protections and have been getting sick. The guild’s two major divisions – the SAG-AFTRA Foundation and the SAG-AFTRA Motion Picture Players Welfare Fund (MPPWF) have created a COVID-19 fund, Relevant information for both caregivers and seniors to maintain mental health during this crisis. Are Community Filming Surveys allowed at this time? To reach the global audience, an independent producer’s best ally is their international Sales Agent. Max Spielmann process all types of photographic film and single-use cameras, and if it can't be done in-store our Excellence Centre is on hand to help. Do not miss the opportunity to see the presentation of the newest Russian content. It's unclear if the administration reached out to all 274 people, which includes stars like George Clooney (“lifelong liberal Democrat”), John Legend (“Has had multiple twitter fights with Trump”), Jim Gaffigan (“Recent anti-Trump commentary/posts”), and Christina Aguilera (“a gay-rights supporting liberal”). Gugenheim, Producer, President, ALP Andrew Lauren Productions USA Creating New Opportunities for Independent Writers and Producers, Spotlight on Russia: Meet Russian Content at AFM 2020, Raising Money in a COVID World & The Future of Film Distribution. Randi Feldman, Founder, Cinema Workshops In that way, it’s a perfect metaphor for Trump’s pandemic response and his presidency as a whole: a disorganized disaster, driven by petty partisan concerns. What protections exist for communities that host filming? Steven Wolfson, Screenwriter/Instructor, UCLA. This action was taken out of an abundance of caution, and with consideration for communities affected by COVID … Panelists Instructor Noam Kroll, Director & Host, Show Don’t Tell Podcast, Guest Sorry, your blog cannot share posts by email. Bradford Schleder, Contracts Counsel, WGAW It will focus on what films are being made, by whom and how. Jen Barrett, Head of Entertainment, Creative Shop Facebook ©2020 British Film Institute. Adam Krentzman, Community Outreach, CreativeFuture. Amanda Blumenthal, Founder, Intimacy Professionals Association What type of health protocols apply when filming on-location? Established a $150 M relief fund. The Blueshouse Outfit USA Geared towards writers and producers early in their career, our instructor will provide insight on how to assess scripts, develop budgets, and be ready to approach the pitch with a sound interpretation of how finances will support the project. Will Gurman, VP, Global Content Partnerships, Pluto TV Explore more articles and research at Producers Resources. Ben Roberts, BFI Chief Executive, said: “Given the significant contribution of film and TV production to the UK economy, there has been a huge joint effort on the part of government and industry to get production restarted. CV19 Return to Work Solutions: A New Set of Challenges, Movie Marketing for Producers & Filmmakers. Moses Babatope, Co-Founder, Filmhouse Group & Managing Director, FilmOne Entertainment Due to the closure of our physical office, we are only able to accept payment via credit card and business credit accounts currently. Richard Baker, President, Silk Factory, Your AFM accreditation offers you access to Cinando’s top-level online tools to prepare and navigate the market. The NAACP will probe these questions and lead an exploratory forum on the power and social responsibilities that accompany mass media storytelling. Pilar Alessandra, Author/Consultant, On the Page. This September documentary followed children in three Ohio families as the COVID-19 pandemic amplified their struggle to stay afloat. Debajyoti “Deb” Ray, CEO, RivetAI. Are there limits on the number of cast or crew I can bring? There is a big difference in shooting a film and making a professional film that can sell. Greetings from Tromaville! African film and television content is on the rise with Netflix’s first African originals all rising to the top in their home market and globally, especially in the US. Tasha Day, Manager of Special Events & Filming, City of Long Beach Moderator Panelists Introduction Securing a solution for insurance cover has been part of the work undertaken by the BFI’s Screen Sector Task Force and its working group on this area of work led by Pact. Following physical distance requirements (6 feet minimum), whenever possible.